LONDON · GENEVA
Projects
Layered Echoes: Mizuki Nishiyama, Dingyue Luna Fan, Pucky, and Bibi Lei
Group Show co-curated by Alison Lo
Bucherer and Private Residence
Geneva
13 September - 12 October 2024
The artists in this exhibition echo a collective tale of diverse identities, articulating a distinct story of self-discovery.
Layered Echoes
A group show co-curated by Alison Lo
Geneva
Rosetti Firmenich Projects is pleased to present 'Layered Echoes,' showcasing the works of Mizuki Nishiyama (b. 1998), Dingyue Luna Fan (b. 1994), Pucky (b. 1986), and Bibi Lei (b. 1985).
Through their exploration of themes such as resilience, feminism, and rebirth, these artists examine how evolving identities are shaped by the interplay of heroic inspiration, lived experiences, and cultural narratives.
This exhibition unfolds across two venues in Geneva—Bucherer, and a private residence—where the works by the four artists engage with their surroundings beyond the conventional gallery space. This approach breaks from the traditional white cube presentation, appealing to a new generation of collectors who appreciate more fluid and dynamic narratives.
Dubbed the Queen of Autumn, the Chrysanthemum stands apart with its vivid colours and delicate fragrances amidst fading foliage. Native to Asia and admired worldwide, it embodies various characteristics across cultures and generations, such as nobility, solace, longevity, and renewal. Revered in Chinese and Japanese literature, the flower symbolises different layers of persona.
In his 'Chant of the Chrysanthemum,' celebrated Tang Dynasty poet Bai Juyi (772–846) praised its resilience and elegance displayed against the first frost, mirroring his own virtues and ideals as a literato facing adversity. The traits traditionally associated with the Chrysanthemum are still widely valued in contemporary society, often subtly influencing how we shape and perceive ourselves.
Like the Chrysanthemum, the artists in this exhibition echo a collective tale of diverse identities. Their work weaves together themes of spirituality, memory, resilience, and rebirth, portraying personal history, cultural heritage, and mythological storytelling. Together, they articulate a collective yet distinct story of self-discovery.
‘Layered Echoes’ guides us through the intricate interplay of echoes between past and present, being and becoming, as seen through different lenses. By engaging with these diverse artistic voices, the exhibition sheds light on our own identities, prompting us to rediscover and redefine who we are within the rich tapestry of cultural and mythological narratives.'
—Alison Lo
Bibi Lei
b. 1985, Macau
Originally from Macau and now based in Tokyo, Chinese-Portuguese artist Bibi Lei creates vibrant and whimsical paintings that fuse Eastern and Western influences. Her work enchants with explorations of protective goddess figures and childhood innocence, courage, and fantastical worlds.
Through her dreamy, colorful imagery, Lei transcends cultural boundaries, offering fresh insights into mythological wonders and maternal instincts while rekindling our memories of childhood.
Pucky
b. 1986, Hong Kong
Riding on her success in the world of art toys and growing up between the two cultures of Hong Kong and Canada, Hong Kong-based artist Pucky returns to the art world with abstract and surreal paintings that elevate the viewer's senses to cosmic realms.
Her work blends themes of spirituality and the otherworldly, exploring connections with energy and inviting viewers into a mythical domain where cosmic forces and personal emotions converge.
Mizuki Nishiyama
b. 1998, Hong Kong
With mixed Hong Kong and Japanese heritage and having lived in New York and London, Mizuki Nishiyama creates raw and confrontational artworks that delve into the socio-political dimensions of the female experience and reevaluate ancestry, patriarchy, and time. Her paintings, sculptures, tapestries, poetry, and performances reinterpret Japanese traditions and spirituality through a contemporary lens.
Nishiyama’s work provides profound insights into the ideas of purity, femininity, Shintoism, and trauma, presented with a powerful, evocative approach.
Dingyue Luna Fan
b. 1994, Chongqing
Born in Chongqing and educated in Montreal and London, Dingyue Luna Fan employs a transfigurative approach to art, crafting dreamscapes that bridge the conscious and subconscious, memories and reality.
Drawing from Chinese mythology and Taoist philosophy, Fan’s work captures the fluidity of the subconscious and the ethereal beauty of nature, allowing new states of mind to emerge and offering a contemplative exploration of the female psyche.
ITINERANT
Global Connectivity AND CROSS CULTURAL EXCHANGE